![]() The simplest and most used technique of balancing a composition or the space available to work, is to exploit negative space. Here too, the area occupied by one item and it’s interaction with the objects around it, work as the negative space for its neighbors. Just like a living space with too many elements can work only if expertly handled, similarly an artwork chock full of objects vying for space can work only if handled ingeniously. It can communicate the artwork’s feel or mood, offer play space for the viewer’s own perspective and imagination, as well as create interest through the art of suggestion. Whereas, an empty negative space can speak volumes wielding the powers of minimalism. Creatively modulating the space around an object in focus adds to its character and interest value.Ī frame with too many elements of interest fails to communicate as effectively to its viewers as one with enough optical breathing area. Just like the star performer gets the spacious corner office with amazing views, important objects get more personal negative space. It guides and focuses the viewer’s attention on the subject matter. Also, more negative space at the bottom in a landscape gives the illusion of distance. For instance, the main object in an artwork with more negative space on top generally promotes the idea of weight. It doesn’t only help better define the composition of an artwork, but positioning of objects in focus too. Capturing shape and defining structure:. ![]() Creating just through negative space detailing, tickles the viewer’s imagination with unconventional angles and dimensions. It helps overcome the limitations of pre-knowledge of an object’s shape and dimensions, making it more life-like. Negative spaces have a shape of their own and if expressed properly, can add oodles of interesting perspective to the object in focus. Attempting to recreate the space around as accurately as possible, helps bring out the subject matter’s true likeness and feel. In such situations, studying the negative space through and around the positive space helps. The pre-knowledge of their shape stops us from truly noticing the play of their positioning, perspective and individuality. ![]() For many people, this comes forth while trying to paint hands or feet and may be even trees. Sometimes what holds us back from capturing the true essence of a subject matter is the overload of existing knowledge about its structure. 5 Facts About the Power of Negative Space Let’s dig a bit deeper to identify some interesting ways in which negative space works its magic. Balance like harmonizing flavors of your favorite recipe or in your attitude to life between sense of humor and gravitas. Like yin and yang, the central idea is importance of balance. It provides balance without overwhelming the space. Sometimes, expert modulation of just the negative space can create interestingly well-defined positive spaces. It helps guide the viewer’s eyes and attention to the mainstay of a frame. Negative space, i.e, the space not used by the subject, is as important as the object in focus. We have all seen Rubin’s vase creating optical illusion, right? In fact, the interplay of positive and negative space is ingeniously manipulated to create intriguingly complex images. Efforts at sidestepping definite forms brings out the best possible rendition! It’s a magical place where the idea of balance takes on innumerable interpretations. Here, you can find negative empowering the positive.
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